America’s true musical tradition is the Great American Songbook; the great body
of music written by brilliant tunesmiths from the Great War through the advent
of rock-n-roll (or, if you will, bookended between two global catastrophes).
In an era when artists sought legitimacy, rather than
rejecting the very notion, it was not uncommon for Jazz Age songwriters to
write ‘serious’ compositions that bridge the worlds of pop and classical
music. Perhaps the most ambitious of the
Jazz Age songwriters was George Gershwin
(1898-1937). His great, serious opus of
the Jazz Age, Rhapsody in Blue,
premiered at the Aeolian Hall on
February 12, 1924. Gershwin was on hand
to play the piano, and the concert was conducted by pop music legend Paul Whiteman (1890-1967), who
commissioned the piece.
How did Gershwin come to compose his signature piece? He related to his first biographer: It was on the train, with its steely
rhythms, its rattle-ty bang, that is so often so stimulating to a composer – I
frequently hear music in the very heart of the noise.... And there I suddenly
heard, and even saw on paper – the complete construction of the Rhapsody, from
beginning to end. No new themes came to me, but I worked on the thematic material
already in my mind and tried to conceive the composition as a whole. I heard it
as a sort of musical kaleidoscope of America, of our vast melting pot, of our
unduplicated national pep, of our metropolitan madness. By the time I reached
Boston I had a definite plot of the piece, as distinguished from its actual
substance.
The 90th Anniversary of this seminal event
is a scant two weeks away. And to mark
this milestone, Bandleader Extraordinaire Vince
Giordano will recreate the concert on Wednesday, February 12, 2014 at 8:00
PM at the Town Hall, Manhattan, on
the same day and same block as the original concert 90 years ago. Giordano has gathered solo pianists Ted
Rosenthal and Jeb Patton to play along with his 22-piece Nighthawks Orchestra. The evening
will be conducted by Maurice Peress,
and Gershwin’s Rhapsody will be accompanied by music by Irving Berlin (1888-1989), Victor
Herbert (1859-1924), Jerome Kern
(1885-1945) and Zez Confrey
(1895-1971).
This
is it, this is where American music really found its distinctive voice,
Giordano told your correspondent recently.
It’s rare that anyone can put
their finger on exactly the moment that a new era starts, but this is pretty
close. There was a sense that America
was a new country, and needed a new music to give it voice. Gershwin rose to that challenge and made
musical history. By doing the concert on
the same day, on the same block, just feet away from the original 90 years ago,
we are trying to recapture lightning in a bottle.
Giordano has earned great acclaim for his musicianship
and for his curatorship of America’s musical heritage. He has appeared in many major motion pictures
(The Aviator and Cotton Club, for example), and was the
musical voice for the award-winning television show Boardwalk Empire. He has
long been a favorite with New York sophisticates looking for great music and a
smart evening out – he currently plays at the Iguana NYC every Monday and
Tuesday evenings in the Times Square area.
Initial response to this planned recreation has been
dynamic, and Jade Sphinx readers are
encouraged to order tickets as soon as possible. We will be there, as this promises to be the
Must-See musical event of the season. Tickets
are $25, $30, $35 and $40, and are available at the Town Hall box office, or by
calling Ticket Master at 800.982.2787.
2 comments:
Players in the Waterford Concert Orchestra enjoyed reading this post as we prepare to mark the anniversary on the other side of the Atlantic. The ensemble will perform the work as part of an all American programme with pianist Finghin Collins in the medieval port city on South East coast of Ireland a little ahead of the date on 8th Feb
We here in the States wish you great good luck -- 'break a leg!' Sorry to miss it, but please let us know how it goes.
Post a Comment